trying to sound calm, "How?"
"Like this."
He showed her his notebook. She saw the disjoined notations he had made, a great many figures, a few rough sketches. She understood his scheme before he had finished explaining it. She did not notice that they had sat down, that they were sitting on a pile of frozen lumber, that her legs were pressed to the rough planks and she could feel the cold through her thin stockings. They were bent together over a few scraps of paper which could make it possible for thousands of tons of freight to cross a cut of empty space. His voice sounded sharp and clear, while he explained thrusts, pulls, loads, wind pressures. The bridge was to be a single twelve-hundred-foot truss span. He had devised a new type of truss. It had never been made before end could not be made except with members that had the strength and the lightness of Rearden Metal.
"Hank," she asked, "did you invent this in two days?"
"Hell, no. I 'invented' it long before I had Rearden Metal. I figured it out while making steel for bridges. I wanted a metal with which one would be able to do this, among other things. I came here just to see your particular problem for myself."
He chuckled, when he saw the slow movement of her hand across her eyes and the line of bitterness in the set of her mouth, as if she were trying to wipe out the things against which she had fought such an exhausting, cheerless battle.
"This is only a rough scheme," he said, "but I believe you see what can be done?"
"I can't tell you all that I see, Hank."
"Don't bother. I know it."
"You're saving Taggart Transcontinental for the second time."
"You used to be a better psychologist than that."
"What do you mean?"
"Why should I give a damn about saving Taggart Transcontinental?
Don't you know that I want to have a bridge of Rearden Metal to show the country?"
"Yes, Hank. I know it"
"There are too many people yelping that rails of Rearden Metal are unsafe. So I thought I'd give them something real to yelp about. Let them see a bridge of Rearden Metal."
She looked at him and laughed aloud in simple delight.
"Now what's that?" he asked.
"Hank, I don't know anyone, not anyone in the world, who'd think of such an answer to people, in such circumstances - except you."
"What about you? Would you want to make the answer with me and face the same screaming?"
"You knew I would."
"Yes. I knew it."
He glanced at her, his eyes narrowed; he did not laugh as she had, but the glance was an equivalent.
She remembered suddenly their last meeting, at the party. The memory seemed incredible. Their ease with each other - the strange, light-headed feeling, which included the knowledge that it was the only sense of ease either of them found anywhere - made the thought of hostility impossible. Yet she knew that the party had taken place; he acted as if it had not.
They walked to the edge of the canyon. Together, they looked at the dark drop, at the rise of rock beyond it, at the sun high on the derricks of Wyatt Oil. She stood, her feet apart on the frozen stones, braced firmly against the wind. She could feel, without touching it, the line of his chest behind her shoulder. The wind beat her coat against his legs.
"Hank, do you think we can build it in time? There are only six months left."
"Sure. It will take less time and labor than any other type of bridge.
Let me have my engineers work out the basic scheme and submit it to you. No obligation on your part. Just take a look at it and see for yourself whether you'll be able to afford it. You will. Then you can let your college boys work out the details."
"What about the Metal?"
"I'll get the Metal rolled if I have to throw every other order out of the mills."
"You'll get it rolled on so short a notice?"
"Have I ever held you up on an order?"
"No. But the way things are going nowadays, you might not be able to help it."
"Who do you think you're talking to - Orren Boyle?"
She laughed. "All right. Let me have the drawings as soon as possible. I'll take a look and let you know within forty-eight hours. As to my college boys, they - " She stopped, frowning. "Hank, why is it so hard to
find good men for any job nowadays?"
"I don't know . . ."
He looked at the lines of the mountains cut across the sky. A thin jet of smoke was rising from a distant valley.
"Have you seen the new towns of Colorado and the factories?" he asked.
"Yes."
"It's great, isn't it? - to see the kind of men they've gathered here from every corner of the country. All of them young, all of them starting on a shoestring and moving mountains."
"What mountain have you decided to move?"
"Why?"
"What are you doing in Colorado?"
He smiled. "Looking at a mining property."
"What sort?"
"Copper."
"Good God, don't you have enough to do?"
"I know it's a complicated job. But the supply of copper is becoming completely unreliable. There doesn't seem to be a single first-rate company left in the business in this country - and I don't want to deal with d'Anconia Copper. I don't trust that playboy."
"I don't blame you," she said, looking away.
"So if there's no competent person left to do it, I'll have to mine my own copper, as I mine my own iron ore. I can't take any chances on being held up by all those failures and shortages. I need a great deal of copper for Rearden Metal."
"Have you bought the mine?"
"Not yet. There are a few problems to solve. Getting the men, the equipment, the transportation."
"Oh . . . !" She chuckled. "Going to speak to me about building a branch line?"
"Might. There's no limit to what's possible in this state. Do you know that they have every kind of natural resource here, waiting, untouched? And the way their factories are growing! I feel ten years younger when I come here."
"I don't." She was looking east, past the mountains. "I think of the contrast, all over the rest of the Taggart system. There's less to carry,
less tonnage produced each year. It's as if . . . Hank, what's wrong with the country?"
"I don't know."
"I keep thinking of what they told us in school about the sun losing energy, growing colder each year. I remember wondering, then, what it would be like in the last days of the world. I think it would be . . . like this. Growing colder and things stopping."
"I never believed that story. I thought by the time the sun was exhausted, men would find a substitute."
"You did? Funny. I thought that, too."
He pointed at the column of smoke. "There's your new sunrise. It's going to feed the rest."
"If it's not stopped."
"Do you think it can be stopped?"
She looked at the rail under her feet. "No," she said.
He smiled. He looked down at the rail, then let his eyes move along the track, up the sides of the mountains, to the distant crane. She saw two things, as if, for a moment, the two stood alone in her field of vision: the lines of his profile and the green-blue cord coiling through space.
"We've done it, haven't we?" he said.
In payment for every effort, for every sleepless night, for every silent thrust against despair, this moment was all she wanted. "Yes. We have."
She looked away, noticed an old crane on a siding, and thought that its cables were worn and would need replacing: This was the great clarity of being beyond emotion, after the reward of having felt everything one could feel. Their achievement, she thought, and one moment of acknowledging it, of possessing it together - what greater intimacy could one share? Now she was free for the simplest, most commonplace concerns of the moment, because nothing could be meaningless within her sight.
She wondered what made her certain that he felt as she did. He turned abruptly and started toward his car. She followed. They did not look at each other.
"I'm due to leave for the East in an hour," he said.
She pointed at the car. "Where did you get that?"
"Here. It's a Hammond. Hammond of Colorado - they're the only people who're still making a good car. I just bought it, on this trip."
"Wonderful job."